The Scripted World
All the world's a stage,
And all the men and women merely players:
Jaques, scene vii, Shakespeare
Human relationships are a funny thing. Seriously, yeah, funny haha, rather than funny weird. When I walk into the bookstore, there's invariably a whole entire section devoted to the human relationship. How to interact among people, how to manage people, how to understand people, how to get a date, how to impress a date, how to bring home a date, how to date a date, how to ask for a second date, how to succeed in a date, how to date a successful man, how to date a successful woman, how to date a successful date, how to date without dating, how to date and not date, how to find love in dating, how to find dates in loving and a lot of whole bizarre books that tout pretty much the same basic truths in human relationships; it's about confidence.
But I am struck by this one scene in the movie School for Scoundrels: Dr. P: How many of you have self-help books? Okay that's your first problem. You can't help yourself, because your self sucks!
But that's not entirely what I'm getting at. Because at the end of the day, a successful relationship is like a waltz. Human relationships are about dancing, and I'm partial to the waltz, so I like to describe a harmonious human relationship as a beautiful waltz.
One, two, three. One, two, three. Step, step, step. Spin, twirl, turn. One, two, three. One, two, three.
You see, we got to follow certain pre-arranged steps in order to get along well with others. And it's much less about what we say, but rather what we are going to say. People don't really care about your ideas, but they like you pretty much all the same if you say the right things. A friend put it rather aptly on his blog, that invariably the correct answer to any Miss Universe question would be, "World Peace." and that the invariable correct answer to any soldier would be, "Because I love my country, sir!" and "Yes, sir!" professed with gusto and full of passion, albeit badly disguised.
One thing I've learnt by going through job interviews is that no one gives a shit what you say, or how you feel about the job. The interviewer never fails to ask you the same cliched questions, and he knows that those questions are cliched. You, in turn, know those cliched questions and must always respond with cliched answers. See? This is like the waltz, the interviewer leads the dance, and one, two, step. One, two, step. And if you don't follow, well, let's just say the music doesn't last forever.
A typical dance routine goes like this:
Interviewer: Do you love this job?
Me: I love this job more than my mother.
Interviewer: How do you feel about finance?
Me: It flows in my blood.
Interviewer: Are you a team player?
Me: Hell yes, I love sports
Answers like, "Everyone has a mortgage to pay." and "For the money, of course." doesn't quite cut it, even though it's so chillingly true. No brilliant smart alec answer will cut it, no outstanding matter-of-fact statement will cut it, only the most pretentious of all altruisms will get you where you want to be. It's all about the dance. You must dance to the rhythm... even though you feel the strings tied to your arms and legs and the crowd screams, "DANCE PUPPET DANCE!" And pretty much, that is what is needed to succeed in a job interview.
To extrapolate a little into other more personal human relationships, the dance becomes even more important, and all the more scripted. The closer we are to people, the more we stick to this awkward dance routine, that seems old and stale. How many conversations have we started with:
Dude: Yo, wassup?
Me: Nuthin', how about you?
Dude: The usual.
Me: Oh.
Why is it important to keep in rhythm to these dance steps? Because that's how we know each other, it's like some sort of secret club handshake, or some bizarre routine only known by insiders. It's a secret code that identifies ourselves, and when we get closer to people, the traditions and norms sometimes become even more outrageous, to foster a better sense of closeness. This is the sort of fundamental that all secret societies are based on, and this includes all sorts of fraternities and sororities.
It's interesting to look back at some of my message logs and notice how all my conversations start with the same sort of routine way. To those people I know, I start off with a few vulgarities, name-calling, plus things that I wouldn't say in front of a lady. And they respond in kind. See? This is also part of the dance routine. When two jocks high-five each other, and buttslaps each other and chugs beer and burps, that's pretty much too part of the dance, to get closer to each other, by mimicking each other's steps, and forming human relationships.
I guess what I'm really talking about is kinda closely related to culture of a people. It's the kind of social norms that I say, that sort of cement a kind of close personal relationship with another person at the expense of a little truth.
Maybe if we look at a couple's relationship, it goes even further:
Chick: Do you love me?
Dude: Of course.
Chick: Then say that you love me.
Dude: C'mon now...
Chick: Please?
Dude: Okay... I love...
Have you ever gotten into a situation where you asked someone a question, and you know they are going to lie to you, but you accept the lie anyway, because you don't want to ruin the relationship? That's pretty much like in the waltz... if your partner steps on your toes, you just shrug it off and continue dancing, because you want the dance to continue. Take for example:
Chick: Were you looking at that whore?
Dude: What whore?
Chick: Your eyes were practically all over her ass.
Dude: You know I only have eyes for you.
Chick: Yeah right.
Dude: C'mon baby, I love...
It's a kind of waltz, of tip-toeing around each other. We must each know the right things to say, and the right things aren't necessary the truthful thing to say. I think relationships aren't based on truths, but based on expectations, and the most successful relationships are those with little expectations. After all, if you don't expect your girlfriend to be loyal to you, your girlfriend to care for you when you're sick, or your girlfriend to at least call you once in a while, then you're fine with her being your girlfriend, and no broken relationship there, then, no matter what she does. And the thing is people expect you to do the dance. You must dance, because that is what is said in the script. People know the script, they know your response, they just like to hear you follow the script, because at least they know you are on the same page as them. Then, at least, the show can go on.
The show must go on.